Juliana Curi, fotogramma dal film da Uýra: The Rising Forest, 2022.
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Cybernetic Culture Research Unit

Il Numogramma Decimale

H.P. Lovercraft, Arthur Conan Doyle, millenarismo cibernetico, accelerazionismo, Deleuze & Guattari, stregoneria e tradizioni occultiste. Come sono riusciti i membri della Cybernetic Culture Research Unit a unire questi elementi nella formulazione di un «Labirinto decimale», simile alla qabbaláh, volto alla decodificazione di eventi del passato e accadimenti culturali che si auto-realizzano grazie a un fenomeno di “intensificazione temporale”?

K-studies

Hypernature. Tecnoetica e tecnoutopie dal presente

Avery Dame-Griff, Barbara Mazzolai, Elias Capello, Emanuela Del Dottore, Hilary Malatino, Kerstin Denecke, Mark Jarzombek, Oliver L. Haimson, Shlomo Cohen, Zahari Richter
Nuove utopieTecnologie

Dinosauri riportati in vita, nanorobot in grado di ripristinare interi ecosistemi, esseri umani geneticamente potenziati. Ma anche intelligenze artificiali ispirate alle piante, sofisticati sistemi di tracciamento dati e tecnologie transessuali. Questi sono solo alcuni dei numerosi esempi dell’inarrestabile avanzata tecnologica che ha trasformato radicalmente le nostre società e il...

Le massacre du printemps
Magazine, LOCUS - Part II - Maggio 2021
Reading time: 1 min
Mathilde Rosier

Mathilde Rosier, Le massacre du printemps, 2019

The cover of the second part of the issue LOCUS
Mathilde Rosier, Le massacre du printemps, 2019 (still da video).

Le massacre du printemps, a video-installation by the French artist Mathilde Rosier, which is part of museo Madre collection, is a reinterpretation of Le sacre du printemps, a ballet with music by Igor Stravinsky, created by Vaslav Nijinsky for the Ballets Russes in 1913. The work questions the intrinsic relationship between human beings and the environment, connecting the act of worshiping the earth to that of its subsequent exploitation. The dancers draw aerial choreographies against the backdrop of three different places in the Campania region – the greenhouses of the Vesuvian area, the port of the city of Naples and the former industrial site of  Bagnoli – and from peasants they transform themselves into ears of wheat, to underline the inextricable link between the destiny of mankind and that of nature as a whole.

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"Information is power. But like all power, there are those who want to keep it for themselves. But sharing isn’t immoral – it’s a moral imperative” (Aaron Swartz)

di Mathilde Rosier
  • Mathilde Rosier is a french artist in Paris. Her work is pervaded by her interest in physical and psychological experiences and ancient rituals, by anthropological research dedicated to the study of the recovery of these rituals in contemporary European society. Her artistic practice often manifests itself through fictitious branches or parts of narrative in which the mystical representations of animals, plants and every creature of nature seem to come from disused sets and become solitary protagonists of an unusual but significant reality. Through the mixture of painting, cinema, dance and theater, Rosier constructs dreamlike situations that allow the audience to lose cognition of space and time, opening a portal between the realms of consciousness and the unconscious. Rosier has held solo exhibitions and performances at the Camden Arts Center in London, the Abteiberg Museum in Mönchengladbach, the Serpentine Gallery in London, the Kunstverein in Hanover and the Jeu de Paume National Gallery in Paris. He has participated in group exhibitions at the Castello di Rivoli, Museo d'Arte Contemporanea in Turin, the Galleria d'Arte Moderna in Milan, the Kunsthaus in Graz and others.